The first is that it would be a great shame that that happened. Tintin seems to me a delicious read, and I would not like to deprive other people to enjoy it. Furthermore, by creating such a precedent, we can be sure that when China is a bit more open and western comics enter the country, so will Tintin and the Blue Lotus, my favorite. If I think a little on the subject, this reminds me about the heretical books of the Middle Ages or the burning of Hebrew books during the Nazi era. Why do I feel so anxious when I hear of these censorship projects? Well, that's a deep subject, that of censorship, I mean, and I think that is part of another series of different questions.
Let's see. It is clear that Tintin is the result of his time, as was the Captain Thunderbolt, who was killing Muslims here and there, or the witch of Hansel and Gretel who had the children locked in her home to do weird things with them, ugs! It is also clear that they are all, to one degree or another, politically incorrect, and some of the values that can be distilled are out of sync with the sensibilities of our time, but are we still pretending to rewrite history? Should we remove from our shelves the novels of Jules Verne for not conforming to scientific progress? Do we burn the undemocratic books of Plato? “But the case is different”, some might say, because Tintin is aimed at children. There I do see prejudices of our time, to believe that a comic, as such, is aimed at children. But let us concede that this is the case. Can we fix it by putting on the cover "For Mature Readers"? Funny.
The second point of view is a reflection arisen from the same news that is disturbing, and is the initiatory role of stories told to children.
The stories often had an important bringing up role, showing children a series of values, archetypes and ideas that should teach them some things in their society. Under that approach, yes we should avoid frivolously showing them aspects that do not match reality. But by the same rule, should we eliminate sexism in the stories? Or eternally happy endings? Or the irrational fantasies? No doubt here a great debate could start, but it is not worth it. After all, those times when children are formed through the stories they were told are totally left behind. Now the stories do not come from the mouths of parents and grandparents but from television, comics, video games, Internet, mobile content, in spite of any parental controls. It is as inevitable as the Chinese end up hearing about what happens in "Tintin and the Blue Lotus."
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